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Focus On This: Chunky Move’s ‘Depth of Field’

By Paul Ransom of Dance Informa. 2014 Helpmann Award Best Male Dancer James Vu Anh Pham throws off the shackles and dons The post Focus On This: Chunky Move’s ‘Depth of Field’ appeared first on Dance...

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Transit Dance Company presents ‘Every Inch Of Me’

Arts House: Meat Market, Melbourne. June 20, 2015. It’s a frigid night in the side streets of North Melbourne. Nonetheless, an expectant The post Transit Dance Company presents ‘Every Inch Of Me’...

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Kind of Velvet and Thick: Chunky Move and HTRK collaborate

If it’s full body immersion you’re after, try blending the physicality of contemporary dance with the altered state soundscapes of HTRK (aka The post Kind of Velvet and Thick: Chunky Move and HTRK...

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What’s happening in the NZ dance scene?

New Zealand School of Dance (NZSD) is offering a Contemporary Intensive Programme, 19-20 March at Wellesley Studios in Auckland. The Programme is for dancers aged 16 to 18 years, with a sound knowledge...

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Autumn Feature: Falling in Love with Dance

This autumn as the leaves begin to fall, Dance Informa looks at why and when dancers “fall” in love with dance. Read on for some inspiring recounts! Tim Harbour, resident choreographer of the...

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I wanna be validated!: Chunky Move’s ‘Lucid’

Recently, when asked to drill into the core of his art, the British classical pianist Stephen Hough suggested that all “great art” investigates what it means to be human. At the heart of the experience...

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Chunky Move’s ‘Lucid’: Like a dream

Chunky Move Studios, Melbourne. May 27, 2016.  Who am I? How do I fit in? Or do I? These and other questions are typical of those grappling with the notion of identity. Although these are not new or...

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2017 Dance Massive program announced

Dance Massive, a contemporary dance program in Melbourne that showcases the work of both established and up-and-coming choreographers, has just announced its line-up for its 2017 event, to be held...

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Melbourne’s first Asia TOPA: The door is ajar

“Dance is a beautiful thing to program because it’s not language-based,” declares Stephen Armstrong, creative director of Asia-Pacific Triennial of Performing Arts (Asia TOPA). “So you’re not...

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Same but different: Anouk van Dijk’s ‘Depth of Field’ in Aarhus, Denmark

The location or space always partners a performance work. Whether it be a proscenium arch stage, a studio, a black box or a site-specific work, we receive the space as a part of the work. Chunky Move...

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